Hand In Paw’s (HIP) seventh annual “Picasso Pets” is not your average art show. This year, 18 local dogs and 2 cats have taken time out of their busy romping and napping schedules to become collaborative artists with some of the finest painters in Birmingham. Using their paws, tails, and-in the case of one very mellow longhaired dachshund-their whole bodies, these treasured pets are doing their best to help raise money for the therapy programs HIP has pioneered in Birmingham. The roster of human artists (which reads like a “Who’s who” in Alabama art) work with the marks made by the pets to develop surprisingly sophisticated landscapes, Warhol-esque portraits, and not-so traditional folk art paintings.
Since 1996, the Birmingham-based group HIP has made sure that people in need will always have a furry friend nearby. HIP has spent the last decade pairing “Pet Partner” teams of human volunteers and their beloved pets with various social services, hospitals and shelters. When you think about how much unconditional love the average family dog radiates, it becomes easy to imagine how much solace a troubled child or lonely senior might find in an interaction with a friendly pet.
But like all good things, Hand-In-Paw needs lots of resources to do their work. A recent trip to HIP’s offices on 7th Avenue South revealed an office in full charity-gala preparation mode.





Wouldn’t a nice evening by the sea feel nice in these 100+ temperatures? While we can’t bring the Gulf any closer, we can enjoy Sea Shanties for the American South, an evening of readings and musical performances at
Spider Martin’s Unseen Sixties reveals a side of the nationally known photographer that many didn’t know existed. Best known for his Civil Rights era photographs, Martin was a prolific photographer with an extensive and varied portfolio. In addition to his freelance work with McCall’s and other national magazines (some of which is featured in the current show), Martin also spent time working at both The Birmingham News and Birmingham Magazine as a contributing photographer.
No word on the acts (though 
